Listen To Your Editor

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amwriting, anthologies, books, craft, creative writing, criticism, crowdfunding, ediotrs, editing, feedback, Fifteen Minutes, publishing, Rattle Tales, short stories, short story collections, The Brighton Prize, writing

I am currently co-editing an anthology of short fiction. I also supplement my paltry writers’ income with freelance editing projects. I’m not a proof reader; the edits I offer are structural, though I will pick up on any punctuation that has gone awry.  Editing is something I enjoy. The idea of helping a writer to perfect their work makes me happy but I also find that editing other people’s work makes me a better writer. Editing not only raises my awareness of common writing pitfalls, it also reminds me to put away the resistance to criticism that all writers experience.

I’ve been lucky enough to have been on the receiving end of dedicated and improving edits for both my books. Uppermost in my mind is my collection of short stories, Fifteen Minutes, which has recently undergone several in-depth edits with Unbound Publishing. This was an amazing learning curve and the book is vastly improved as a result. When the first edit arrived I opened a manuscript which was literally covered in red marks and comments. My editor had forewarned me that this was normal in her email but even so it was quite a shock. I have had short stories edited professionally before, for publication in journals like Rip Tide and The Manchester Review. The editors of those journals did brilliant job and, yes, each manuscript was covered in crossings out, with sentences shifted and lengthy comments inserted. Again, I was a bit shocked by the extent of the mark-ups.  For a moment I wondered if the writing was any good after all.

This seems to be a common experience for most writers. When faced with a manuscript covered in mark-ups and comments we tend to take it personally. The self-doubt nags, we mutter things under our breath like, ‘obviously they haven’t read it properly,’ and, ‘they wouldn’t know a joke if it got up and bit them.’ What we forget is that as writers we can become too immersed in a piece to see the flaws and the gaps. The writing is obviously great or it wouldn’t have been selected for publication. However, the editor has read it more closely than anyone else ever will. Their mark-ups don’t mean that the writing isn’t good, just that as the writer we have become too used to what we have written. We think that because we can picture it in our head our readers will be able to too. This is not always the case. If an editor points something out as not being clear, and you have to use a paragraph to explain to them why it is clear, the editor is right and you are not.

Obviously editors are not infallible. This is why they often work in pairs. The first edit of Fifteen Minutes suggested alterations that the second editor then suggested should be changed back. At this point it was up to me to decide which worked best. Often it was the original – but not always – sometimes it was something completely different. You can always negotiate. If you truly believe that your piece is better without the changes, that the reader you have in mind will know exactly what you mean, then go ahead, argue your case. What is interesting is that as you progress in your career you will get comments such as ‘still not clear’ from a professional editor a third or fourth time no matter how much you plead. If this happens you have no choice but to adhere to their suggestion. If you are arguing about the placement of commas and the cutting of single words you are being too precious. Go with what the editor suggests; it’s what they do for a living. They know what they are talking about. The real shock will come when you get your proofs back and realize you know nothing about punctuation!

For further information on my freelance editing services please email erinnamettler@gmail.com I specialize in shaping up short stories for publication or competition but I have edited full-length manuscripts from children’s books to spy thrillers.

From Twitter Tale To Novel

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Grist, Harper Collins India, Huddersfield University, Manoj Pandey, Margaret Atwood, Salman Rushdie, short stories, Short Story Competitions, short stoy collections, Tales On Tweet, Teju Cole, Twitter, Unbound, Unbound Digital, Yuko Shimizu

It’s been a long summer and I’ve been quietly working behind the scenes. You’ll be pleased to know that my collection has been edited, with immensely helpful input from Unbound, and is as a result a much better book. It also has a new title. Gone is the over long full Warhol quote; the book will now be published as Fifteen Minutes. The editing was an interesting process. A lot of the stories had already been professionally edited but, in my experience, things can always be improved on. The copy of my first novel that I take to readings has writing all over it where I’ve added or cut things from the printed text and that was published five years ago! A book is never finished but hopefully this collection is now at its best. I am very happy with the editorial decisions made so far. Sometimes I kept things the way there were, simply out of gut instinct, anyway between us we’ve come up with something I am extremely proud of. I can’t wait for you to read it. People keep asking me when and the answer is ‘soon’. The book has been sent for copy editing, which I am told takes about 3 weeks and then – who knows? But it will be soon and I will keep you informed every step of the way. Even though the book is 100% funded there is still time to support it. If you love short stories and think they should get their due credit in the publishing world please pledge via Unbound you will help raise the profile of the short story and get your name listed in the book as a supporter.

In the meantime, one of the stories has been published in a much redjuced form in a beautiful little book called Tales On Tweet. This is the origin of the story Ruby of the Desert. The full story has also been shortlisted for Huddersfield University’s Grist competition and will appear in their anthology early next year. I’ve also been working on the idea of turning it into a novel. Tales On Tweet is a Twitter account by Indian writer Manoj Pandey. A couple of years ago they asked for 140 character stories, this year they chose a bookfull to be illustrated and published by Harper Collins India. There are stories by Margaret Atwood, Salman Rushdie, Teju Cole and lesser mortals like me. It was quite hard to get hold of a copy, the first one didn’t arrive and I had to turn to Amazon Marketplace to get one. The book is gorgeous and wise and each tale is illustrated by Yuko Shimizu, a Japanese Illustrator based in New York. I love my page (even though, or perhaps because, they spelled my name wrong!) I love how it sums up the tale by creating the heat of a diner kitchen and the passage of time through the sheer number of teabags. Does the waitress win the lottery? I think your answer to that says more about your personality than mine.

Unbound Diary Part 11 – Almost There!

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competitions, crowdfunding, literature, mentoring, publishers, Riptide Journal, short stories, short story appraisals, starlings, submissions, The Bristol Short Story Prize, The Fish Short Story Prize, The Manchester Review, Unbound, workshops, writers, writing, writing workshops

A lot has happened since I last blogged here. I was stuck around the 45% mark for what seemed like an eternity, thinking that I was never going to get this thing funded. Last week I had a conversation with a Twitter friend, the fab short story writer Safia Moore, who not only pledged to the book but suggested that the pledge options I should be pushing were the ones for large sums, the short story appraisals and mentoring packages. She pointed out that I am the director of a short story prize, have been short-listed in a few myself, and am a tutor! She is of course right on all counts. It’s funny how when you are in the middle of something you can’t see it for what it is. I started pushing these options on social media and so far someone has pledged for £400 of mentoring and four people have pledged for short story appraisals. I suddenly find myself 81 % funded, so thank you Safia for reminding me of what I have to offer!

If you keep getting nowhere when sending out short story submissions, or entering competitions, perhaps you could do with a little help from the director of a prize, who has been published in Riptide and The Manchester Review and short-listed for The Bristol and Fish prizes. I am an experienced tutor, mentor and editor with an MA (dist) in Creative Writing and an acclaimed novel.

On offer as part of crowdfunding for In The Future Everyone Will Be Famous For Fifteen Minutes are:

Short Story Appraisal up to 5,000 words with full edit and notes – £100

Mentoring,  4 face to face sessions (skype, email or phone for those too far away) up to 20,000 words with full edit and notes. This can be part one manuscript or several short stories. £400

2 hour Short Story Workshop for 5 people (South East and possibly Yorkshire) £200

These packages are offered at a much lower price than my usual rate and at a much lower price than most literary consultancies. Not only will they greatly benefit your writing but you will facilitate the publication of a book of short stories that would not otherwise be published.

You could of course just prove all the people who think short stories aren’t worth publishing wrong and pledge £10 in support of the book. You will be a patron of the arts and I am so very grateful that so many of you have already done so.

 

 

Unbound Diary Part 10 – I’m Trying To Prove The Popularity Of The Short Story

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Beach Hut Writers, Brighton, crowd-funding, Latest TV, Laura Wilkinson, publishers, short stories, ShortStops, spoken word, starlings, The Short Story, Thresholds, Unbound, Women Writers, writers

It’s been quite a week. I could see that I was getting towards the deadline for raising funds for my short story collection In The Future Everyone Will Be World Famous For Fifteen Minutes. It felt like I was stalled at the 40% mark and that I would never get enough support for the project to go ahead. I couldn’t really see what to do but I knew that I didn’t want this opportunity to slip away. In the last few weeks I have done events, sent out emails and press releases, written blog posts and had stories from the book published in journals and still there were only a handful of responses. I was very grateful to each and everyone of those new pledgers but I needed more. I decided it was time to change tactics. Over the last few days I have spent 6 hours a day solidly marketing. I have contacted every journal and short story organisation I could find and asked for their help. To my surprise the answer has  almost always been yes. One editor replied within minutes with the opening line, ‘Hi Erinna – you’ve come to the right place!’ I was so grateful I could have cried. In the next few weeks I have articles coming out on Women Writers, The Short Story, Thresholds and Short Stops as well as guest posts on the blogs of friends and colleagues. The first of these is out today on Laura Wilkinson’s blog and she has cleverly called it In The Future Will Everyone Be Crowdfunding?

Last Friday morning I’d just got in from the school run when I took a phone call from Latest TV , in response to a press release I’d sent out a couple of weeks ago, could they come around in an hour to film me? I looked around my extremely messy house in horror but obviously I agreed. Creatives aren’t meant to be tidy, right? The film was posted on their Youtube channel on Tuesday and it has been an absolute godsend. It really represents what the book is about, how celebrity culture is everywhere and that this is not necessarily a good thing, and that one of the aims of the crowdfunding project is to draw attention to the lack of support given to the short story by UK agents and publishers. (When I write this in any article the editors always tell me I have to say ‘most UK agents and publishers’ but you know what, fuck it, this is my blog, and I want to go on the record as saying that this is true of 99.9999% of all UK agents and publishers!) I have set the film up to post on a loop on Twitter and Facebook with the buy-line ‘I’m trying to prove the popularity of the short story,’ and it’s getting quite a lot of attention as well as bringing me new pledgers. I am going to use the film as the basis for the campaign over the next couple of weeks. As of today I am at 58% and it really feels like I’m going to make it. I still need people to pledge so if you love short stories and think that they should get more attention from publishers please pledge to this collection.

Latest TV video

 

Unbound Diary Part 9 – Reading Aloud

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Beach Hut Writers, Brighton, Brighton Fringe, crowdfunding, Exeter Street Hall, John Lennon, publishing, short stories, short story collections, Sourdough, spoken word, The Beach Hut Writing Academy, Unbound, writers

I’m nearly 9 weeks in to my crowdfunding project for my book of short stories on fame, In The Future Everyone Will Be World Famous For Fifteen Minutes. I’m going to be doing a few spoken word events in the next few days and. as a director of one (Rattle Tales), I thought I might give a few pointers about how to read to an audience. If you are a writer, at some point, you will have to do this in order to get your work seen. Even when you are a seasoned Booker Prize-winning author you still have to read your work to audiences. It may seem like the antithesis of everything else you do (ie, sitting at a desk writing down weird scenes from your imagination) but it’s just the way it is.

Practice. I use reading aloud as part of the editing process anyway. After I have finished a section of work, I will read it out to myself. I will often stand up to do this or even walk about. This exercise is invaluable for locating the dead pieces of writing, the weasel words, unnecessary punctuation, missed punctation and for providing a flow to your words. I urge you to add this to your writing method. If you are reading a piece at an event always read it out to yourself several times first. Make alterations to the piece that arise from this exercise then read it again. If you can bear it, read it to a couple of people you trust. If you do this enough times you will almost know the piece off by heart.

Eye Contact. If you know the piece off by heart you will be able to make more eye contact with the audience. Look up from you paper occassionally, pause for dramatic effect, address your words to them. I don’t mean stare creepily at one person, in fact if you look at a point just at the top of their heads the audience will get the impression you are looking at them without feeling uncomfortable about it. Smiling helps too and don’t forget to introduce yourself or at least say hello.

The Shakes. All authors get the shakes from time to time. Nobody notices. I have spoken to many first time readers who thought the audience was distracted by their shaking hands or legs. My right leg used to shake uncontrollably when I read. No one ever mentioned it; in fact people said I didn’t seem nervous at all. I have also seen famous authors at big festivals trembling so much their papers rustle. No one minds, they just want to hear the famous author read. If you are uncomfortable with your shaking hands put your pages in a lever file or on a clip-board. Rattle Tales provides a music stand. Sometimes nerves help the piece, I’ve cried at the end of a story and had loads of people come up to me and say what an impact it had because it was heartfelt. Try and keep it together til the last sentence though!

Slow Down. Most people read too fast. Nerves make you speed up, make you want to get it over with. My advice is read it to yourself at your normal pace and then slow it down a notch for the event, relish in the pauses, emphasise the important sentences, take your time over the dialogue. You might want it to be over quickly but the audience want to take it all in. Most spoken word events asks for no more than 2,000 words. This is because after about ten minutes an audiences’ attention wanders no matter how good the tale or the reader. If you are reading an extract bear this in mind, don’t rush to fit longer pieces in.

Acting is for Actors. You are not an actor, well, you might be, but in this case you are a writer. To listen to your story the audience doesn’t need the full Meryl Streep. They don’t want a cast of characters with different accents all competing for attention like a multiple personality disorder. Do appropriate accents by all means but don’t shout as if you are projecting at the Theatre Royal and keep the showing off to a minimum.

I will be putting all this into practice at Exeter Street Hall on Friday May 13th with nine other fabulous Brighton writers who are all members of The Beach Hut Writers. We will be talking about everything from how to get published to how to cope at spoken word events. The genres include, crime, noir, literary fiction, women’s fiction, self help, cookery and diet books and childrens fiction, so there is literally something for everyone.

May 26th is the date of Rattle Tales Brighton Fringe show hosted by the fabulous Lonny Pop. We have just finalized the programme and there are some amazing stories on the bill from a huge variety of authors. I will be reading a short story (Sourdough)from In The Future which was the story I read at the first Rattle Tales show five years ago. I don’t expect to be as nervous as I was then. Tickets are available at Brighton Fringe Box Office and they usually go fast!

If you think that short stories deserve a bit more attention from publishers please plegde to my collection because that’s what I’m trying to prove. In The Future Everyone Will Be World Famous For Fifteen Minutes will only be published by Unbound if I get enough pledges. You don’t have to be from the UK and you don’t have to have a Kindle. There are just 3 weeks left to show your support.

Unbound Diary Part 8 – A Medieval Knight With An I-phone

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Beach Hut Writers, Brighton, crowdfunding, crusades, dreams, Exeter Street Hall, medieval, Myriad, Myriad Editions, publishing, Rattle Tales, reading aloud, short stories, spoken word, Umi Sinha, Unbound, writing

As I write I am 44% funded. This means that well over a hundred of you have supported my book. To my new supporters I want to say a massive thank you, you are making this happen. I have until the end of May to reach 198 pledges, it’s time to take it up a notch.

Regular readers will know that I am a Director of the spoken word group Rattle Tales. We have a show coming up at Brighton Fringe Festival and we’re selecting stories for it now. Last night I had a dream that only five people turned up to our show. Our previous Fringe shows have all been sold out, sometimes we’ve had to turn people away, and the show has been a Pick of the Fringe by The Independent newspaper. It’s extremely unlikely that no one will turn up. In my dream not only did no turn up but I forgot my story and when I tried to phone home to get someone to bring it to me my i-phone snapped in two, the venue staff were busy jousting in the back garden and the only person in the bar was a medieval knight dressed in crusader armour – he didn’t know what an i-phone was.

I’ve been trying to analyze this dream all day. I think it’s to do with the event I did recently to an audience of seven. It’s definitely to do with asking people to pledge to my collection and most of them resembling a medieval knight with no knowledge of i-phones when asked. Lots of people have said they are happy to help and will definitely pledge but then don’t. Some people have been very affronted to be asked. In response to a recent mail-out through Rattle Tales one person accused us of begging and hoped the project failed. You can just ignore the request you know, or just say no. I’m not begging. I’m asking you to choose to buy a book in advance, in much the same way as you would choose to buy a book in a book shop – you don’t have to but you might want to. The same mail-out brought me ten new pledgers and for that I am very grateful

I have a few events coming up and I really hope that a. people will come and b. some will pledge to the book. I will be appearing at Exeter Street Hall on May 13th with lots of other Beach Hut Writers, ten in fact, all talking about the when, why and what of writing for a living. I’m also going to talk at Brighton University on May 10th with the author of Belonging,  Umi Sinha, and Vicky Blunden from Myriad Editions and then I will be reading Sourdough (recently published by New London Writers) from In The Future Everyone Will Be World Famous For Fifteen Minutes at the Rattle Tales show on May 26th. Please come along to any or all – don’t leave me alone with the medieval knight.

For the rest of the week I will be sending out press releases, pitching articles and generally trying to get my book notice in the hope of attracting more pledges. Thanks again to my new supporters – you really are making a difference!

My Unbound Diary Part 6 – Crowdfunding Events, Pledgers and The Radio

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Amanda Palmer, BBC Radio Sussex, Brighton, City Reads, crowdfunding, digital publishing, James Ellis, literature, Lonny Pop, Pierre Hollins, Rachael de Moravia, Rattle Tales, Sarah Gorrell, short stories, spoken word, Stephanie Lam, Stephen McGowan, TED, The Brighton Prize, The Nightingale Room, Unbound, writers

I am half way through! And it’s not been easy I can tell you. I feel like I’ve had to coax each pledge into being. My short story collection In The Future Everyone Will Be World Famous For Fifteen Minutes is so close to 30% funded. Obviously, I need a lot more pledges to reach 100% in the next 6 weeks. I am banking on momentum. Word of mouth, people wearing down in the face of constant bombarment. I would hate me right now if I wasn’t me. Once again thank you to everyone who has already pledged; I am in awe of you because you are making this book seem possible and when it is funded you will have helped create something new.

I have just started on an all out email campaign. Emailing everyone I know either directly or through Facebook. It’s a bit soul destroying. I can’t shake the feeling that I am begging but my friend and fellow writer Stephanie Lam directed me to Amanda Palmer’s TED Talk on crowdfunding (The Art of Asking) and that made me feel a whole lot better. I’m not begging, I am offering people the opportunity to co-create a book that wouldn’t otherwise exist, to be a part of the art.

It’s interesting who pledges and who doesn’t. It’s not what you expect. People you haven’t seen for years reply immediately and say they’ve pledged and ask how you are. People you’d expect to be onboard from the off flat out tell you it’s not their thing. I wonder if the digital aspect is putting some people off. The book will initially be available in digital format only. This isn’t to say you need an e-reader to read it, when the book is published you will get a copy emailed to download onto whatever, laptop, PC or phone you prefer. There will be paper copies I am told, for events and signings and if the book gets enough pledgers it might even get a full press – but that is a long way off. Right now I need to meet my target of 253 more pledges.

One thing which hasn’t surprised me is the community around the Unbound crowdfunding process. There is a Facebook group for shell-shocked Unbound authors to swap tips and give each other encouragement. Most authors are lovely supportive people – and I’ve met a lot of them in the last ten years! I put a post up about doing an event in Brighton and several writers replied and after a few email exchanges it’s going ahead in Brighton on the 18th April. If you are in the area please come along – entry is free. So is the venue, thanks to a tip from City Read’s Sarah Hutchings I managed to book the wonderful Nightingale Room in side the Grand Central Pub right next door to Brighton Station. Unbound authors James Ellis, Stephen McGowan, Rachael de Moravia, Pierre Hollins and me will be reading from our books. My fellow Rattle Taler Lonny Pop will be hosting and there may even be someone from Unbound editorial to answer questions about crowdfunding. I will be on BBC Radio Sussex tonight at 5.50 to talk about The Brighton Prize but always on the look out for new supporters I will be mentioning this event too!

My Unbound Diary Part 5 – Back On Track

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Catherine Smith, crowdfunding, Dianna Vickers, fame, fiction, Gethin Anthony, James Ellis, Latitude Festival, poetry, publishing, short stories, short stoy collections, social media, spoken word, stars of the week, Unbound, Word Theatre, writing

Crowdfunding a book is overwhelming. There is so much marketing to do just to eek out one or two supporters. Unbound (the crowdfunding publisher I have signed to) send you a pledge update once a week so you can see who has pledged and what level they’ve opted for. Everytime someone pledges I want to shout their name from the rooftops. In fact my book In The Future Everyone Will Be World Famous For Fifteen Minutes is, as the title suggests, about fame and I am going to offer to give top pledgers the star treatment on social media.I will make you famous for a week. This is not necessarily about the amount pledged. Here’s the first:

Last week I was a bit despondent having only achieved 13% of the required funding in a month. This week I am 26% funded! Over a quarter of the way there! This is a big deal for me; I am beginning to think that it can be done. There is about 8 weeks left to pledge. If I work really hard I can do it but I can’t do it without your help.

Amongst my pledgers this week was my old Creative Writing tutor, the wonderful poet and short story writer, Catherine Smith. When I first started writing Catherine made me feel as though I was actually good at it. She also taught me that adding a bit of poetry can lift prose into something really meaningful and thought-provoking. I write poetically, I can’t help it, I like language to flow, to alliterate, to unfold like a movie in your mind. (These days I don’t like too many similies so I don’t know why I wrote that last bit.) Catherine left me a message on my last blog post:

I loved Starlings and am so glad you are going down this route, Unbound is an excellent model, though I think UK publishers need a kick up the arse to be less prejudiced against publishing short stories, which as we know is a transcendent and exacting form.

Take note UK publishers and thank God for Unbound, who really are enabling many writers outside of the mainstream to get published.

Unbound have a Facebook support group on which shell-shocked writers can exchange experiences and come up with new ways to get pledges. One of the writers, James Ellis, is a Rattle Tales regular and I asked if he wanted to do a funding event in Brighton. Other authors in the group expressed an interest too so I’m going to book a date at The Brunswick Cellar Bar and see what happens.

I have a sort of plan –  when to contact certain people, when to push Facebook/Twitter ect. how to drawn attention to the project. One of the stories (Underneath) was performed by Games of Thrones actor Gethin Anthony and Diana Vickers at US spoken word group Word Theatre’s UK shows a couple of years ago. I contacted Word Theatre to ask if they could help promote and was told there was a video of one of the events. I was lucky enough to see the performance at Latitude Festival and it remains one of the thrills of my writing career. Here’s a short extract:

Please pledge to this book of short stories. There is something in it for everyone. For just £10 you can help bring this book to life.

https://unbound.co.uk/books/fifteen-minutes

 

 

My Unbound Diary Part 4 – Crowdfunding Confidence

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crowdfunding, In The Future Everyone Will Be Famous For Fifteen Minutes, Philip Pullman, Ros Barber, self-publishing, short stories, The Bookseller, Unbound

I’m now on week four of my crowdfunding project and I have had a bit of a confidence wobble. My short story collection is available for presale through Unbound Publishing, an innovative and prestigious crowdfunding publisher. I was 11% funded last week and this week I’m only 13%. I need to get 313 pledges for my book by the end of May. Right now that seems like a daunting amount. I have sent out emails to my entire address book, people on Facebook and Twitter must be sick of me posting about it, and still the pledges are coming in a drip feed rather than a deluge. I need to make a plan for getting the word out to more people and making it clear that I need pledges for the project to go ahead.

I admit I’m feeling a little despondent. This feeling wasn’t helped by Ros Barber‘s article in The Guardian this week about self-publishing. I know that crowdfunding is different to self publishing and a lot of the article was irrelevant, for example, Unbound are selective in who they offer to crowdfund. You need to submit and when (if) you meet your target your book gets a full professional edit. This means that books that are out of the mainstream get a chance that traditional publishers wouldn’t give them because they don’t fit into the usual marketing models. It’s all very modern and positive and looks like it just might save us from the same old dross dolled out in the name of sales. However, some of Barber’s observations are extremely pertinent. I do need to attract supporters and so I am spending all of my time marketing rather than actually writing and I do worry that people will get fed up with me begging. In the article Barber says this;

Self-publishing can make you behave like a fool. Imagine we have just met. I invite you into my house and the first thing you do is show me the advertising blurb for your book and press me to check it out on Amazon. Then you read me the blurb for someone else whose book you’ve agreed to promote if they’ll do the same with yours.

This is so true! The thing is though, ALL authors have to self promote, unless you are mega famous and even then, pretty much everything you do is an act of self-promotion. You are only as popular as your last book. I have heard so many stories recently of fellow authors being dropped by publishers and agents because the last book didn’t perform as well as expected, or because the current novel doesn’t fit into the genre they had in mind. I am publishing with Unbound because I write literary short stories and publishers won’t even consider them unless you are already a name.  But I need sales.

I wonder if people think crowdfunding is somehow inferior to traditional publishing. Today in The Bookseller came the news that philospher Roman Krznaric turned down an offer from a major UK publisher to publish with Unbound. Philip Pullman is quoted as saying,“Unbound is a marvellous way of publishing.”

I really think Unbound could be an alternative to both traditional and self-publishing. I’m hoping I get enough pledges to find out for sure.

To pledge to In The Future Everyone Will Be World Famous For Fifteen Minutes go to https://unbound.co.uk/books/fifteen-minutes

It has just come to my attention that, as well as reasoned argument, Ros Barber has been getting some awful abuse on Twitter for her article on self-publishing – get a life losers!

My Unbound Diary Part 3 – Crowdfunding a Short Story Collection

Tags

agents, Araminta Hall, Beach Hut Writers, Bridget Whelan, Brighton, Brighton Gin, crowdfunding, Kate Harrison, Laura Wilkinson, literary agents, publishing, Sarah Rayner, short stories, Sue Teddern, The Beach Hut Writing Academy, Unbound, Write by the Beach, writing

Week three already! This week I reached 11% funded thanks to some lovely friends and one or two people I’ve never met who are taken with the idea of In The Future Everyone Will Be World Famous For Fifteen Minutes. I got some promotional postcards made and started carefully compiling the blanket email I’m going to send out to everyone in my adress book. I gave some of the postcards out on the school run, swallowing the embarassment of approaching people, and got three more pledges.

On Saturday, I was one of the organisers of Write by the Beach, a writers conference in Brighton at the truly gorgeous Angel House. We had 56 delegates and lots of speakers from the industry. It was a great success and I’ve been on a high ever since. In my duties as a co-organiser over the last few months, I have come to realise that if you ask people nicely for something they are almost always happy to oblige, and if they can’t, or don’t want to, the worst that can happen is that they say no. We had authors and agents, literary consultants and publishers all delighted to be a part of our little conference. We even finished off with a tasting event organised by Brighton Gin (it was a brilliant and delicious way to end the day!) I put one of my promotional postcards in each of the goodie bags in the hope that some of the delegates might be cajoled into pledging. I spoke to anyone who would listen about crowdfunding my book. There was a lot of interest. Perhaps with an eye on their own projects, a lot of people wanted to know how to go about crowdfunding and why it was different from vanity publishing. (The difference is that you have to submit to Unbound for consideration and then when you are fully funded your book is given the editorial attention of a traditional publisher.) Not that there is anything wrong with self-publishing. In one of the panel sessions sucessful authors Kate Harrison and Sarah Rayner talked about wanting to publish self help books but having to go it alone when they couldn’t find anyone to publish them. Kate’s book was about the 5:2 Diet (when no-one else had written anything about it) and Sarah’s was about Making Friends With Anxiety. Over-eating and anxiety are common author ailments, all that sitting alone typing all day long, fear, rejection, thoughts of inadequacy. Both books were incredibly sucessful and not just with writers! I was greatly inspired by the go for it attitude of both writers and the incredible success they achieved.

At the end of the day I also felt that I may have been a little harsh about agents and publishers in this diary. Those that attended Write by the Beach as speakers were helpful and approachable, all committed to their love of books and the search for great writing. The trouble is they have to make money or go bust and to do that in this climate you have to publish books that have more chance of selling ie. crime and celebrity endorsements. I do still think that there is some room for other forms, that the future of the publishing industry actually depends on there being some room for other forms, otherwise it is in danger of becoming very homogenized and boring. I didn’t speak to one person at the conference who didn’t like short stories. In fact, since I have been writing them, I’ve only met a couple of people who have turned their nose up, yet short stories are still considered unpopular. Please help me prove that this isn’t the case, pledge to my new collection on Unbound. I will be very grateful – did I mention there will be a launch party?

Special mentions to the Write by the Beach team Bridget Whelan, Laura Wilkinson, Sue Teddern, Kate Harrison and Araminta Hall, it was a pleasure working with you.